For more than four decades, Steve Winwood has remained a primary figure in rock ‘n’ roll, a respected innovator who has helped to create some of the genre’s most celebrated achievements.
Winwood burst into prominence in 1963 with the Spencer Davis Group and since that time his celebrated skills as a composer, vocalist, and multi-instrumentalist have developed an impressive catalog of popular music.
That extraordinary portfolio of music began at the age of fifteen as the driving force of the Spencer Davis Group. The group enjoyed a string of chart success by way of such enduring classics as “Keep On Running” “Gimme Some Lovin’” and “I’m A Man”. The international success of these singles bolstered Winwood’s confidence and strengthened his resolve to seek out new rhythmic possibilities.
In 1967, Winwood left the Spencer Davis Group and co-founded Traffic. Beloved for their eclectic style and superbly crafted songs, Traffic routinely defied convention to celebrate a host of perse sounds and influences. Landmark albums such as Mr. Fantasy and John Barleycorn Must Die confirmed their position as one of the most important British groups of the 1960’s and 1970’s.
Eager to try his hand with other creative partnerships, Winwood left Traffic in 1969 to join a new group formed by Cream guitarist Eric Clapton and drummer Ginger Baker. The pairing of Winwood with Cream’s Eric Clapton, Ginger Baker and later, former Family bassist Rick Grech, created what many critics dubbed rock first supergroup. The international popularity of Blind Faith, the group’s sole album, confirmed their special chemistry. Blind Faith staples such as “Can’t Find My Way Home” continue to rank among Winwood’s finest achievements.
In 1970, Winwood reformed Traffic and guided a highly successful run founded on such popular albums as Low Heeled Spark Of High Heeled Boys and Shoot Out At The Fantasy Factory. By 1975, Traffic splintered as the allure of solo projects and new creative partnerships proved too tempting to resist.
1977’s solo debut Steve Winwood signaled a bold new artistic direction. Such a shift should hardly come as a surprise for those who have followed Winwood’s distinguished career. Beginning with Traffic and extending through such landmark solo albums as the Grammy Award winning Back In The High Life and Roll With It, Winwood has nurtured a restless creative spirit, mining rich musical traditions such as Delta blues, English Folk, R&B, and West African calypso and merging these perse influences within his own unmistakable sound.